volume Number 12، number In Volume 1، Spring 2019 ، issue Number 43

Stylistics of Phenomena in Shahriyar Ghazlat

Naser Kazem Khanloo (Author in Charge), Ziba Esmaeeli

Abstract
The skill and mastery of the Shahriyar in Persian poetry has always been studied in various aspects; from musical and weight to rhetorical structures, syntaxes and syntaxes, etc. Among these, Shriyar"s penetration should also be another field of art. She knew Punish verses in the Shahriyan court have rhetorical, expressive and conceptual values. The number of copies of the verses containing the pencil in his court and his performance in this context from various aspects of literary, semantic, and ... showed his deliberate and special attention to this issue. In this article, all of the questions concerning pseudoscience in the Shahriyar"s sonnets, especially with emphasis on the three specific characteristics of the best pseudoscience, have been investigated in an analytical and statistical manner, in order to determine the general understanding of the style and manner of punishment in Shahriyar"s To be lost. Issues such as: number of pencils, types of penetrations, unpunished ghosts, pseudoscience ghosts, pseudoscience in pencil phrases, pixel angle, pseudo-arranged arrays, subjects in pencil phrases, etc.

Keyword
Shahriar , Phenomena , Stylistics , Ending Bits

• Vaez Kashefi Sabzevari, Hossein (1990), Bada'i al-Afkar in the Poetry Industry, edited by Jalaluddin Kazazi, Tehran: Markaz
• Safa, Zabihollah (1992), History of Literature in Iran, Tehran: Ferdows
• Motman, Zein Al- Abedin (1973), The Evolution of Persian Poetry, Tehran: Tahoori Library
• Nezami Aroozi Samarkandi, Ahmad Ibn Omar Ali (2002), four articles, edited by Dr. Mohammad Moin, Tehran: Zavar
• Shahriar, Mohammad Hossein (1998), Shahriar Divan, Tehran: Negah
• Aminpour, Qaisar (2004), Tradition and Innovation in Contemporary Poetry, Tehran: Publication
• Homayi, Jalaluddin (2003), Rhetori Techniques and Literary Crafts, Tehran: Homa Publishing c
• Dehkhoda, Ali Akbar (1998), Dictionary, under the supervision of Mohammad Moin and Jafar Shahidi, Tehran: University of Tehran
• Bastani Parizi, Mohammad Ibrahim (1990), Nay Haftband, Tehran: Atai Publishing
• Mohammadi Asiabadi, A. (2005), The Value of Nickname and Its Application in Hafez Poetry, Journal of Literary Research, Volume 2, Number 8, Page51
• Rashidi Ashjardi, M (2011), A Study of Nicknames in Ebtehaj Ghazal, Research in Literary Criticism and Stylistics, Volume 1, Number 3, Page 47
• Abolhassani, Z(2015), Linguistic study of polyphony in the pseudonyms of Hafez lyric poems, Journal of Linguistic ResearchVolume 6 Number 5 Page 1
• Parnian, M. (2001), Hidden Nickname, Journal of the Faculty of Literature and Humanities, University of Tehran, Volume 47, Number 158, Page 355
• Khodayar, A and Obaid Saleh, Y (2012), Nicknames in Persian and Arabic Poetry, Journal of Literary Technologies, Volume 4 Number 1 Page 61
• Heidari, A. and Dejm, M. (2013), The place of pseudonyms in Hafez's lyric poems, Bustan Adab Magazine (Poetry Research), Volume 5, Number 4, Page 67
• Hosseinpour, A. (2006), Getting rid of the pseudonym of the reason for not being silent in Rumi's lyric poems, Journal of Isfahan Faculty of Literature and Humanities, No. 47, p. 99
• Nikmanesh, M (2003), The Secret of Nickname in Persian Poetry, Roshd Journal of Persian Literature Education, No. 65
• Shafiee Kadkani, M (2003), Social Psychology of Persian Poetry (Looking at Nicknames), Bukhara Magazine, Volume 6, Number 2, Page 46
• Khabazha, R (2016), The style of pseudonymism in lyric and its course, Journal of Persian Literature, Year 6, No 2
• Ahmadipour Anari, Z (2015), Methods of distinguishing a poet from a pseudonym, Journal of Lyrical Literature, Volume 13, Number 24, Page 9
• Farshid Word, Kh. (2002), Title and Title in Iran, Journal of the Faculty of Literature and Humanities, University of Tehran